MiniMax H3 Prompt Guide: The 4-Part Formula for ComfyUI (Free Template)

integrated_multimodal_description: Live-action cinematic coffee commercial, soft warm morning sunlight, shallow depth of field, natural 35mm film grain and subtle halation. Keep the same ceramic espresso cup, wooden counter, warm color palette, realistic steam, and natural lighting consistent throughout all shots.
[Shot 1] A medium-wide establishing shot shows the ceramic espresso cup resting on the wooden counter, fresh coffee steaming gently as warm sunlight enters from the window. The quiet kitchen sits softly blurred in the background. Camera: Static Shot, locked off.
[Shot 2] At 00:01.300, hard cut to an extreme close-up of rich espresso pouring into the cup, with the crema forming detailed swirling patterns. Camera: Push In with small amplitude at slow speed, focusing tightly on the coffee stream.
[Shot 3] At 00:02.700, hard cut to a low macro side angle of the cup as delicate steam curls upward through the golden sunlight, with the ceramic texture sharply visible. Camera: Arc Shot at slow speed, subtly moving around the front of the cup.
[Shot 4] At 00:04.000, hard cut to a close-up of a hand reaching naturally for the cup handle and lifting it from the counter. Camera: Tracking Shot at slow speed, following the hand and cup smoothly.
[Shot 5] At 00:05.300, hard cut to an intimate over-the-counter angle as the steaming cup is brought toward the camera, revealing the rich crema and soft reflections on the ceramic. Camera: Pull Out with small amplitude at slow speed, gradually revealing more of the warm kitchen background.
[Shot 6] At 00:06.800, hard cut to a wide cinematic view as the cup is gently placed back on the sunlit counter, steam continuing to rise while the hand leaves the frame. Camera: Pull Out with large amplitude at slow speed, ending on a peaceful balanced composition.
No text, logos, subtitles, watermarks, extra people, extra cups, duplicated objects, distorted hands, unrealistic steam, artificial liquid movement, lens flares, excessive bloom, camera shake, focus hunting, or style changes. Use hard cuts only, with no dissolves, fades, wipes, or unrequested camera movements.

overall_soundscape: Quiet natural morning room tone throughout, with soft coffee pouring at 1.3s, subtle hand and fabric movement at 4.0s, and a gentle ceramic clink when the cup is placed down at 6.8s.

non_diegetic_music: A warm acoustic guitar note begins at 0s, a soft brushed percussion pulse enters at 3s, and a subtle bass note joins at 5.5s, forming a simple elegant two-chord pattern through the final shot.

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.

integrated_multimodal_description: Live-action cinematic sequence, shallow depth of field, warm tungsten interior lighting and subtle 35mm film grain — preserve the exact subject identity, clothing, desk, laptop, lighting direction, color grade, and warm skin tone from <Picture 1> throughout the video.
[Shot 1] The young man from <Picture 1> remains seated at the desk, looking calmly toward the laptop with a natural relaxed posture as the warm desk light illuminates his face. Camera: Static Shot for a quiet opening.
[Shot 2] At 00:01.300, hard cut to a three-quarter side angle showing the man and laptop as he slowly turns his attention toward the camera. Camera: Arc Shot at slow speed, creating a subtle cinematic reveal around him.
[Shot 3] At 00:02.700, hard cut to a close-up of his face as he calmly says: [English] I finished the draft last night., maintaining natural facial movement and realistic lip synchronization. Camera: Push In with small amplitude at slow speed.
[Shot 4] At 00:04.300, hard cut to a detailed close-up of his hands as they move toward the laptop and begin closing it naturally. Camera: Tracking Shot at slow speed, following the hands smoothly across the desk.
[Shot 5] At 00:05.800, hard cut to a low over-the-desk angle as the laptop closes and the man leans back slightly in his chair, creating a more cinematic perspective. Camera: Pull Out with medium amplitude at slow speed, revealing his upper body and surrounding warm interior.
[Shot 6] At 00:07.300, hard cut back to a wider version of the original composition as he settles comfortably in the chair and looks toward the softly lit room, ending in a calm cinematic frame. Camera: Pull Out with large amplitude at slow speed.
No subtitles, captions, text, logos, watermarks, extra people, duplicated objects, changing clothing, changing facial identity, distorted hands, unnatural lip movement, exaggerated expressions, lighting changes, cool color shifts, camera shake, focus hunting, jump cuts, dissolves, fades, or transitions other than the specified hard cuts.

overall_soundscape: Quiet warm office room tone throughout with a faint ceiling fan hum. At 2.7s, his natural voice is clear; at 4.3s, subtle hand movement and laptop hinge sounds; at 5.8s, a soft laptop-closing click and gentle chair movement.

non_diegetic_music: A very subtle warm ambient pad begins at 0s, a soft low piano note enters at 3s, and a quiet sustained tone develops at 6s before gently ending with the final shot.

integrated_multimodal_description: Live-action, cinematic rooftop action sequence, high-contrast daylight, slightly desaturated palette, realistic handheld texture and subtle 35mm grain — keep the gritty color grade, natural lighting, runner identity, clothing, and realistic motion consistent throughout.
[Shot 1] A wide establishing shot shows the runner sprinting toward the rooftop edge with the city and large drop visible below. Camera: Static Shot, holding the tension before the jump.
[Shot 2] At 00:01.300, hard cut to a low side angle following the runner's feet as they accelerate toward the gap. Camera: Tracking Shot at fast speed with slight handheld movement.
[Shot 3] At 00:02.600, hard cut to a dynamic side view as the runner launches across the gap between buildings, legs fully extended in mid-air. Camera: Arc Shot at fast speed, sweeping alongside the jump.
[Shot 4] At 00:04.100, hard cut to a tight close-up of the runner's face during the jump, focused and straining while wind pushes against their clothing. Camera: Push In with small amplitude at fast speed.
[Shot 5] At 00:05.800, hard cut to a low rooftop angle as the runner reaches the opposite ledge and lands hard, immediately transitioning into a forward roll. Camera: Tracking Shot at fast speed, following the landing and roll.
[Shot 6] At 00:07.300, hard cut to a wide rear angle as the runner quickly gets back up and continues sprinting across the rooftop toward the next obstacle. Camera: Pull Out with large amplitude at fast speed, revealing the surrounding rooftops and city.
No slow-motion, wire rigs, visible harnesses, supernatural movement, impossible physics, additional bystanders, duplicated runners, distorted limbs, floating objects, excessive camera shake, soft dissolves, fades, or unnecessary transitions; use hard cuts only and no on-screen text, logos, subtitles, or watermarks.

overall_soundscape: Strong rooftop wind throughout, with rapid footsteps approaching the edge, a sharp breath at 2.6s, clothing snapping during the jump, and a heavy foot impact followed by a brief rooftop scrape at 5.8s.

non_diegetic_music: A low tense drone begins at 0s, fast electronic percussion enters at 2s, the rhythm intensifies during the jump, and the music cuts sharply at 5.8s on the landing before a low pulse returns for the final sprint.

integrated_multimodal_description: 2D-animated, hand-inked line art, flat cel-shading, muted pastel palette — preserve the exact line weight, character design, flat shading, and soft watercolor-like background texture in every shot, with no 3D rendering or photorealistic lighting.
[Shot 1] A wide shot shows the young girl standing quietly at the bus stop beneath falling cherry blossoms, her hair and clothes moving gently in the breeze. Camera: Static Shot.
[Shot 2] At 00:01.300, hard cut to a close-up of cherry blossoms drifting down toward her open hand. Camera: Push In with small amplitude at slow speed.
[Shot 3] At 00:02.600, hard cut to a side profile as she gently looks up through the falling blossoms, her expression calm and thoughtful. Camera: Tilt Up at slow speed.
[Shot 4] At 00:04.000, hard cut to a wide street view as the bus approaches the stop through a shower of pink petals. Camera: Pan Right with small amplitude at slow speed, following the bus.
[Shot 5] At 00:05.700, hard cut to a medium side angle as the girl steps toward the arriving bus and reaches the open doors. Camera: Tracking Shot at slow speed, following her movement.
[Shot 6] At 00:07.200, hard cut to an interior-facing angle as she boards and turns briefly toward the window while the doors close behind her. Camera: Pull Out with small amplitude at slow speed, ending with cherry blossoms drifting across the glass.
No photorealistic rendering, no 3D shading, no realistic lighting, no extra characters, no character redesign, no distorted hands or faces, no modern visual effects, no camera shake, no text, logos, subtitles, or watermarks; hard cuts only with no dissolves or fades.

overall_soundscape: Soft birdsong and gentle wind throughout, with delicate footsteps at 5.7s and the soft mechanical hiss of the bus doors at 7.2s. Cherry blossoms rustle faintly as they pass through the breeze.

non_diegetic_music: A gentle music-box melody plays throughout, joined by soft piano notes at 4s as the bus arrives, then becoming quieter as the doors close at 7.2s.

integrated_multimodal_description: Flat motion-graphics style, bold geometric shapes, high-contrast black and white with one red accent color — preserve the clean flat vector design, sharp edges, consistent typography, and solid colors throughout, with no gradients or photographic texture.
[Shot 1] A black screen holds as a small red circle appears precisely at the center and rapidly expands outward. Camera: Static Shot.
[Shot 2] At 00:01.200, hard cut to a close graphic composition as the red circle shifts toward the right side while thin white geometric lines appear around it. Camera: Pan Right with small amplitude at fast speed.
[Shot 3] At 00:02.400, hard cut as the exact phrase "NOW STREAMING" slides smoothly in from the left in bold white type, centered against the black background. Camera: Tracking Shot at fast speed.
[Shot 4] At 00:04.000, hard cut to the red circle expanding behind the typography while "NOW STREAMING" remains perfectly legible and unchanged. Camera: Zoom In with small amplitude at slow speed.
[Shot 5] At 00:05.500, hard cut as the red circle rapidly contracts into a small dot while "NOW STREAMING" slides completely off the right side of the frame. Camera: Static Shot.
[Shot 6] At 00:06.800, hard cut to a clean wide black frame as the exact phrase "EVERY FRIDAY" appears centered in bold white type, remaining perfectly sharp and readable until the end. Camera: Static Shot.
No misspelled, distorted, duplicated, or garbled text; only the exact phrases "NOW STREAMING" and "EVERY FRIDAY" may appear, each exactly once. No gradients, shadows, photographic textures, extra colors, logos, watermarks, additional text, soft dissolves, fades, wipes, or unnecessary visual effects; hard cuts only.

overall_soundscape: N/A

non_diegetic_music: A sharp synth pulse begins at 0s, a percussive hit lands at 2.4s with "NOW STREAMING", rhythmic electronic pulses continue through 5.5s, and a deeper synth stab hits at 6.8s as "EVERY FRIDAY" appears.

How the reference pictures align with the target video — <Picture 1> (from [Shot 6]) aligns with the 9.00-second mark of the target video.

integrated_multimodal_description: Live-action cinematic coastal sequence, cool blue-gray palette, heavy atmospheric haze and realistic storm lighting — preserve the exact lighting, coastline, ocean, cloud texture, color grade, and final composition visible in <Picture 1>.
[Shot 1] A wide shot shows the calm rocky coastline beneath a pale clearing sky, with gentle waves moving across the shore. Camera: Static Shot.
[Shot 2] At 00:01.300, hard cut to a low ocean-level angle as darker clouds begin gathering along the distant horizon. Camera: Pull Out with medium amplitude at slow speed.
[Shot 3] At 00:02.700, hard cut to a wide horizon view as thick storm clouds slowly roll toward the coastline, darkening the sky. Camera: Pan Right at slow speed.
[Shot 4] At 00:04.200, hard cut to a close view of waves striking the rocks with increasing force, sending realistic spray into the air. Camera: Tracking Shot at slow speed, following the breaking wave.
[Shot 5] At 00:06.300, hard cut to a wider elevated view as the storm front spreads across the entire coastline, with wind disturbing the ocean surface. Camera: Pull Out with large amplitude at slow speed.
[Shot 6] At 00:08.000, hard cut into the exact final composition of <Picture 1>, with the full storm covering the coastline and heavy waves filling the foreground. Camera: Static Shot, holding the final reference composition through 9.00s.
No people, boats, birds, visible lightning, text, logos, watermarks, artificial weather effects, exaggerated waves, changing coastline, color shifts, or composition drift; no soft dissolves, fades, or wipes, hard cuts only.

overall_soundscape: Distant coastal wind gradually strengthens throughout. Waves become noticeably louder at 4.2s, with heavy crashing and water spray at 6.3s, followed by a deep distant thunder rumble as the final storm composition settles at 8s.

non_diegetic_music: N/A

How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot 6) aligns with the 9.00-second mark of the target video.

integrated_multimodal_description: 3D CG cinematic sci-fi, cool cyan and violet lighting, polished metallic materials and atmospheric volumetric haze — preserve the exact portal design, material finish, environment, rim-light colors, and visual style from both reference images throughout.
[Shot 1] The dormant portal stands motionless in the exact position and environment shown in Picture 1, its inactive surface barely glowing. Camera: Static Shot.
[Shot 2] At 00:01.300, hard cut to a close three-quarter angle as faint ripples begin moving across the portal surface. Camera: Push In with small amplitude at slow speed.
[Shot 3] At 00:02.700, hard cut to a macro view of the metallic ring as thin cyan energy lines begin traveling around its edges. Camera: Arc Shot at slow speed.
[Shot 4] At 00:04.200, hard cut to a frontal close-up as bright energy arcs spread rapidly across the portal surface and small particles lift into the air. Camera: Tracking Shot at medium speed, following the energy movement.
[Shot 5] At 00:06.300, hard cut to a wider angle as the entire portal begins glowing intensely, with cyan and violet energy swirling toward the center. Camera: Pull Out with medium amplitude at slow speed.
[Shot 6] At 00:08.000, hard cut into the exact fully activated composition of Picture 2, with powerful energy filling the portal and electrical arcs surrounding the ring. Camera: Pull Out with large amplitude at slow speed, settling on the final reference composition at 9.00s.
No characters entering or exiting, no portals opening elsewhere, no extra objects, no HUD elements, no text, no logos, no watermarks, no painterly textures, no photorealistic live-action appearance, no material changes, no color shifts, no excessive bloom, and no unstable portal geometry; hard cuts only with no dissolves, fades, wipes, or unrequested camera movements.

overall_soundscape: A low electrical hum begins at 0s and gradually intensifies. At 4.2s, sharp electrical crackles begin as the arcs spread, followed by a deep energy surge at 6.3s and a powerful resonant hum at 8s.

non_diegetic_music: A low synthetic drone begins at 0s, a pulsing synth layer enters at 3s, deep sub-bass pulses intensify from 6s, and the full synth layer peaks as the portal reaches the Picture 2 state at 9s.

integrated_multimodal_description: Live-action phone-camera footage, natural available morning light, raw handheld texture, slight motion blur and occasional autofocus hunting — preserve the imperfect amateur look, natural exposure, and handheld movement throughout.
[Shot 1] A close handheld shot shows a hand reaching toward the kettle on the small kitchen counter, with slight natural camera tremor. Camera: Static Shot with visible handheld shake.
[Shot 2] At 00:01.200, hard cut to a side close-up as the kettle is lifted and hot water begins pouring into a ceramic mug. Camera: Tracking Shot with small amplitude at slow speed.
[Shot 3] At 00:02.500, hard cut to an over-the-counter angle focused on the mug as steam rises from the freshly poured water. Camera: Push In with small amplitude at slow speed, with slight autofocus hunting.
[Shot 4] At 00:04.000, hard cut as the cat suddenly jumps onto the counter from the side and lands beside the mug. Camera: Pan Right with medium amplitude at fast speed, following the cat imperfectly.
[Shot 5] At 00:05.800, hard cut to a low handheld angle of the cat sitting beside the mug while looking toward the camera, with the kitchen softly visible behind it. Camera: Push In with small amplitude at slow speed.
[Shot 6] At 00:07.200, hard cut to a wider handheld view of the kitchen window as warm morning sunlight streams across the counter and the cat remains in the foreground. Camera: Pull Out with small amplitude at slow speed.
No polished studio lighting, no cinematic stabilization, no gimbal movement, no perfect focus, no excessive depth-of-field effects, no extra animals, no additional people, no distorted cat anatomy, no text overlays, logos, platform watermarks, dissolves, fades, or artificial transitions; hard cuts only.

overall_soundscape: Natural kitchen room tone with kettle heating and water pouring during the opening shots. At 4.0s, a distinct soft thud as the cat lands on the counter, followed by subtle paw movement and quiet kitchen ambience.

non_diegetic_music: N/A

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced.

integrated_multimodal_description: Vintage film, grainy sepia tone, visible scratches, dust and subtle light flicker — preserve the exact grain density, sepia color, lighting, subject identity, projector design, and aged-film texture visible in <Picture 1> throughout.
[Shot 1] The subject from <Picture 1> stands quietly beside the old film projector as warm projector light falls across the room. Camera: Static Shot with subtle natural film flicker.
[Shot 2] At 00:01.300, hard cut to a close-up of the projector's metal reels slowly turning, with tiny scratches and dust visible across the film texture. Camera: Push In with small amplitude at slow speed.
[Shot 3] At 00:02.700, hard cut to a side close-up of the projector lens casting a bright beam through the dark room. Camera: Arc Shot at slow speed.
[Shot 4] At 00:04.200, hard cut to the subject's face as the flickering projector light moves naturally across their features. Camera: Push In with small amplitude at slow speed.
[Shot 5] At 00:06.000, hard cut to the projector beam crossing the room as floating dust particles drift through the light. Camera: Pan Right with small amplitude at slow speed.
[Shot 6] At 00:07.400, hard cut to a wide view of the entire room, with the subject, projector, and glowing beam visible together as dust continues floating through the air. Camera: Pull Out with small amplitude at slow speed.
No modern digital clarity, clean surfaces, contemporary objects, color correction toward natural color, excessive sharpness, new text, subtitles, logos, watermarks, extra people, projector redesign, style drift, soft dissolves, fades, or modern visual effects; hard cuts only and preserve authentic film imperfections.

overall_soundscape: The mechanical clatter and rhythmic clicking of the projector runs continuously. At 4.2s, the projector motor becomes slightly louder, followed by faint film crackle and reel movement through the final shot.

non_diegetic_music: A scratchy old piano recording plays slowly from 0s with audible surface noise and occasional vinyl crackle, remaining sparse and distant throughout the sequence.

integrated_multimodal_description: Live-action, high-contrast studio lighting, bold saturated color-block backgrounds — keep the flat solid colors, dancer identity, costume, and lighting consistent throughout, with no gradients or background texture.
[Shot 1] A wide shot shows the dancer frozen in a powerful pose against a solid red background. Camera: Static Shot.
[Shot 2] At 00:01.200, hard cut to a three-quarter side angle as the dancer launches into a fast spin against a solid blue background. Camera: Arc Shot at fast speed.
[Shot 3] At 00:02.500, hard cut to a tight upper-body shot as the dancer's arms sweep sharply through the spin. Camera: Tracking Shot at fast speed.
[Shot 4] At 00:04.000, hard cut to a close-up of the dancer's feet performing rapid rhythmic footwork against a solid yellow background. Camera: Tracking Shot with small amplitude at fast speed.
[Shot 5] At 00:05.200, hard cut to a low-angle full-body shot as the dancer jumps and turns before landing. Camera: Tilt Up at fast speed, following the movement.
[Shot 6] At 00:06.500, hard cut to a wide shot against a solid black background as the dancer lands and freezes into a strong final pose. Camera: Pull Out with small amplitude at slow speed.
No gradients, background objects, extra dancers, costume changes, distorted limbs, duplicated body parts, text, logos, subtitles, watermarks, soft dissolves, crossfades, or unrequested transitions; hard cuts only.

overall_soundscape: N/A

non_diegetic_music: A four-on-the-floor kick starts at 0s, sharp synth stabs hit exactly at 1.2s, 2.5s, 4s, and 6.5s, with the track cutting to silence for one beat immediately after the final pose.